Czére Andrea szerk.: A Szépművészeti Múzeum közleményei 104. (Budapest, 2006)
JUDIT LEBEGYEV - ANDRÁS MÁRTON: Early Cycladic Objects in the Collection of Classical Antiquities
the head: P. Getz-Preziosi, "Nine fragments of Early Cycladic Sculpture in Southern California," The J. Paul Getty Museum Journal 12 (1984), 8-9, figs. 3a-d; Getz-Preziosi 1987, 105, figs. 43a-c, 44.; Getz-Gentle 2001, 165, no. 66, pi. 72c; Getz-Gentle 2001, 164, no. 46, pis. 71d, 75b. On Karlsruhe, Badisches Landesmuseum, inv. no. 70/550, there are two vertical wavy lines on the left side of the head without paint on the back of the head: Rehm 1997, K15, 86, pi. 148; on the figure in Munich, Antikensammlungen, inv. no. 10.382, the wavy lock of hair begins Linder the top of head, which suggests that it was also painted: Fellmann 1981, 17-18, no. 6, pis. 8-9. Hendrix 2003, 416. Two eyes are visible: Fogg Art Museum, inv. no. 1960.454; with curved eyebrows: Getz-Preziosi 1966, 110, no. 7, pi. 30.17; Naxos, Archaeological Museum, inv. no. 4695: Zapheiropoulou 1980, 533, Ehv. 235. One eye is visible: New York, Metropolitan Museum of Art, inv. no. 64.246, Hendrix 1997/98, 9, figs. 8, 9a, b. Naxos, Archaeological Museum, inv. no. 4691, 4673: Zapheiropoulou 1980, 533, Ehv. 238; 534, Iliv. 242. On the London, British Museum, inv. no. 1971.521.1 figure, the original colour of the paint of the right eye and the eyebrow r above that have been preserved: Higgins 1972, 118, pl. XLI. In several private collections: Thimme 1976, 475, no. 205, no. 208; 475-476, no. 209; 478, no. 218 (Dokathismata head). Attempts could have been made to forge painted eyes: Malibu, J. Paul Getty Museum, inv. no. 71.AA.126: H. Georgiou, "Cycladic Figurines in the J. Paul Getty Museum," The J. Paul Getty Museum Journal 5 (1977), 71, no. IV. On the basis of the list published at Hendrix 2003, 426, n. 63: Munich, Antikensammlungen, inv. no. 10.382: Hendrix 2003a, pis. XXXc, XXXIa-b (on a reconstruction drawing in the original publication of the piece, the lower left eye appears, and the upper lines of the tw r o upper eyes are shown as eyebrows: Fellmann 1981, n. 40, 17, pi. 9.); Athens, N. P. Goulandris FoundationMuseum of Cycladic Art, inv. no. 252: Getz-Preziosi and Weinberg 1970, pis. 4, 3; Doumas 2000, 145, no. 252; Athens, N. P. Goulandris Foundation-Museum of Cycladic Art, inv. no. 701: Hendrix 2003, 425, fig. 12; Naxos, Archaeological Museum, inv. no. 4675: Hendrix 2003, 422, fig. 8; private collection: Getz-Gentle 2001, 164, no. 47, pi. 71.d. In the case of the Karlsruhe, Badisches Landesmuseum, inv. no. 70/550 head and Athens, N. P. Goulandris Foundation-Museum of Cycladic Art, inv. no. 1105, the four eyes are unidentifiable on pictures in the publications. On the right side of the face of the Athens, National Archaeological Museum, inv. no. 6140.19 figure, the lower curve of the eye in ghost paint partially forms the upper curve of the eye below that: Demakopoulou 1990, 152, no. 157. See furthermore Naxos, Archaeological Museum, inv. no. 4691: Zapheiropoulou 1980, 533, Iliv. 238. E. A. Hendrix identified paint motifs she referred to as "nonanatomical eyes" at various parts of figures. She uses illustrations of the Naxos, Archaeological Museum, inv. nos. 4691, 4181 and 4675 figures as examples: Hendrix 2003, 407, fig. 1, 412, fig. 4,
