Czére Andrea szerk.: A Szépművészeti Múzeum közleményei 104. (Budapest, 2006)

JUDIT LEBEGYEV - ANDRÁS MÁRTON: Early Cycladic Objects in the Collection of Classical Antiquities

Yellow pigment was also discovered around graves on Naxos and Paros: E. Hendrix, The Paint Motifs on Early Cycladic Figures. Diss. Institute of Fine Arts, New York 2000, n. 9—

non vidimus, cited by Hoffman 2002, 531, n. 45. The examination of the pigments of the wall paintings on Thera suggests a greater number and more complex combination oi the possible pigments: V. Perdikatsis, V. Kilikoglou, S. Sotiropoulou and E. Chryssikopoulou, "Physiochemical Characterisation of Pigments from Theran Wall Paintings," in S. Sherratt (ed.), Proceedings of the First International Symposium. The Wall Paintings of Thera, Athens 2000, 103-129. On other pigments, see Brinkmann 2004, 240; J. N. Tubb, Canaanites, London 2002, 30. 30 Hendrix 2003a, 141. 31 Hendrix 2003, 440, 442. i: Hendrix 2000, 151-152, 158-159—

wo« vidimus, cited by Hoffman 2002, 531; Getz-Preziosi 1987, 104-107. » Broodbank 2000, 63. 34 Naxos, Archaeological Museum, inv. no. 4675: K. Demakopoulou, in L. Marangou (ed.), Cycladic Culture. Naxos in the 3rd Millenium BC, Athens 1990, 150, no. 155; New York, Metropolitan Museum of Art, inv. no. 34.11.3: Hendrix 1997/98, 10, fig. 10, 12; Shelby and Leon Levy Collection, New York: Getz-Preziosi and Weinberg 1970, pis. 2:2, 3; Getz-Preziosi 1987, pi. VIA, fig. 19. 35 On the neck: London, British Museum, inv. no. 1971.5-21.1: R. A. Higgins, "A Cycladic Idol," The British Museum Quarterly 36, nos. 3-4 (1972) 118; Boston, Museum of Fine Arts 35.60: Thimme 1976, 460, no. 139. On the neck and chest: Athens, N. P. Goulandris Foundation-Museum of Cycladic Art, inv. no. 280: Doumas 2000, 1580, no. 280. On the chest: Richmond, Virginia Museum of Fine Art, inv. no. 83.73: Getz-Preziosi 1987, 110-111, pis. Vla-b, 206-207, no. 57. 36 Birtacha 2003, 271. ' Hendrix 2003, 416, 418, The Richmond, Virginia Museum of Fine Art, inv. no. 83.73 figure preserves a blue curved line across the forehead: Getz-Preziosi 1987, 110-111, pis. Via—b, 206-207, no. 57. The stripe across the forehead of the Karlsruhe, Badisches Landesmuseum, inv. no. 75/49 figure continues in a V form by the ears, down to the nape of the neck on the back representing a hairstyle or a headgear: J. Thimme, "Ein monumentales Kykladenidol in Karlsruhe," Jahrbuch der Staatlichen Kunstsanmillingen in Baden-Württemberg 12 (1975), 7-8, pis. 1-3; Rehm 1997, K2, 74-75. On the Athens, National Archaeological Museum, inv. no. 3909 head from Amorgos, the stripe across the forehead continues in a straight line on the back of the head: G. Papathanasopoulos, EOVIKO ApxaioXoyiKo Movasio. NeoXiOiKa—Kv/cXaonca, A0n,va 1981, 194-199, nos. 112-116. Naxos, Archaeological Museum, inv. no. 4695, Zapheiropoulou 1980, 533, Ehv. 235. Naxos, Archaeological Museum, inv. no. 4673: Zapheiropoulou 1980, 534, Ehv. 242.