Czére Andrea szerk.: A Szépművészeti Múzeum közleményei 104. (Budapest, 2006)
ANDREA GZÉRE: Nicolas Poussin's Allegory in the Collection of Drawings in Budapest
monument immortalising the victory of King Attalus I of Pergamon over the Galatians. Its master was perhaps Epigonus. The postulation is tempting that in this figure, it is the painter himself who turns toward the viewer. On the hasis of the girdle worn under her breasts left free, one can think of Venus. Chatsworth, the Duke of Devonshire and the Chatsworth Settlement, no. 501; A. Blunt, The Paintings of Nicolas Poussin: A Critical Catalogue, London 1966, no. 119; R. Verdi and P. Rosenberg, Nicolas Poussin 1594-166), exh. cat., London, The Royal Academy of Arts 1995, no. 13; D. Mahon, et al., Nicolas Poussin: l prinii anni romai, exh. cat., Rome, Palazzo délie Esposizioni 1998, no. 32 (here dated to 1628). Rome, Galleria Nazionale di Palazzo Corsini, inv. no. 1440; see D. Mahon, et ah, // Guercino: Dipinti e disegni: II Guercino e la bottega, exh. cat., Bologna 1991, no. 32. For a summary, see Verdi and Rosenberg 1995, 170-71. Giovanni Benedetto Castiglione, Temporalis Aeternitas, etching, 1645; see A. Blunt and A. Percy, Giovanni Benedetto Castiglione: Master Draughtsman of the Italian Baroque, exh. cat., Philadelphia, Museum of Art 1971, no. F 13. Paris, Musée du Louvre, inv. no. 734; see Blunt 1966, no. 120, A r erdi and Rosenberg 1995, no. 38. Verdi and Rosenberg 1995, 219, fig. 97. Letter to Cassiano del Pozzo; see Correspondence de Nicolas Poussin, Archives de l'art français V, ed. C. Jouanny, Paris 1911, cited in Verdi and Rosenberg 1995, 23. Minneapolis, The Minneapolis Institute of Arts; see Blunt 1966, no. 156; Verdi and Rosenberg 1995, no. 9. Dresden, Staatliche Kunstsammlungen, Gemäldegalerie Alte .Meister, inv. No. 719; see Blunt 1966, no. 155; Verdi and Rosenberg 1995, no. 20. The letter is dated February 1629, in which Dr. Pierre Potier, living in Bologna, instructs his friend, Cassiano del Pozzo with respect to the mode of treatment to he used for the painter, see E. Wilberding, "Poussin's illness in 1629," The Burlington Magazine CXLII, no. 1170 (September 2000), 561. London, British Museum, inv. no. 1901-4-17-2; see Oberhuber 1988, 134, no. D177.
