Czére Andrea szerk.: A Szépművészeti Múzeum közleményei 102-103. (Budapest, 2005)

ZOLTÁN KÁRPÁTI: A Late Drawing by Domenico Campagnola

43 DOMENICO CAM PAG NO I.A. LANDSCAPE WITH A DRAGON. VIENNA. AKADEMIE DER BILDENDEN KÜNSTE ponding drawing style, the two sheets may have been produced as part of a series narrating the life of Mary Magdalene. The Haarlem Penitent Mary Magdalene followed the same destiny as the Budapest drawing: in the collection of Swedish Queen Christina, it featured still as the work of Titian, then Johan Q. van Regieren Altena had it attributed to Annibale Carracci, and finally Bert Meijer and Michael Jaffé to Domenico Campagnola, while Anna Santagiustina Poniz described it together with the already mentioned Chatsworth drawing as a late composition of the master, typical of the turn of the 1560s.

12 Contemporaneous w

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ith the Chatsworth sheet was his drawing with an unusual iconography at the Akademie der bildenden Künste, Vienna, Landscape with a Dragon (fig. 43).

13 More vigorous than the Budapest drawing, at the same time, a broad bay appears on the Viennese sheet similar to that of the Budapest, if less elaborated.