Czére Andrea szerk.: A Szépművészeti Múzeum közleményei 102-103. (Budapest, 2005)
ZOLTÁN KÁRPÁTI: A Late Drawing by Domenico Campagnola
40 DOMENICO CAMPAGNOLA. CHRIST AND ST TITER WALKING ON WATER. CHATS WORTH. DEVONSHIRE COLLECTION Two drawings, how r ever, Christ and St Peter Walking on Water, and Mary Magdalene Arriving to Marseilles, have been tentatively attributed to Campagnola. Mary Magdalene Arriving to Marseilles, a rarely depicted episode of the life of the saint, came from the Esterházy collection to the Museum of Fine Arts as a drawing by Titian, where then Edith Hoffmann determined that it was a work by Annibale Carracci (1560-1609) (fig. 39).° Iván Fenyő first recognised Campagnola's style in the drawing, albeit he considered the sheet a copy. It was Teréz Gerszi, who registered in 1985 on the departmental file that this might be a late drawing of Campagnola's own hand, and later Nicholas Turner supported her suspicions, although at the same time, he w r as also inclined to view the drawing as a piece from Campagnola's workshop. In the catalogue of the 1994 Nuremberg exhibition on the Praun collection, however, Rainer Schoch, returning to Iván Fenyő's earlier attribution, published the drawing as a copy after Campagnola, ca. 1550-60.'
