Csornay Boldizsár - Dobos Zsuzsa - Varga Ágota - Zakariás János szerk.: A Szépművészeti Múzeum közleményei 98. (Budapest, 2003)

GOLDFARB, HILLIARD T.: A Mysterious Beauty and a French Attribution: The Sleeping Magdalen of Budapest

30. Claude Vignon: Saint Ambrose, Minneapolis, Minneapolis Institute of Arts. The William Hood Dunwoody Fund be more tightly defined around 1623. While that period is not significantly documented, a coherent corpus for those years has emerged, based on the recent research of Paola Pacht Bassani.

19 There are very specific stylistic comparisons that can be made with such paintings by the artist as Two Drinkers, One Holding a Glass of Wine, David with the Head of Goliath (fig. 28), Musician Holding a Glass of Wine, and especially three works of about 1623, Tobias and the Angel (fig. 29), David Holding a Sword, and Saint Ambrose (fig. 30).

20 These include the rich application of brushstrokes and the mode 19 Pacht Bassani, P., Claude Vignon 1593-1670, Paris 1992. For the Italian period, see pp. 162-201, and for period of approximately the first year after his return to Paris, pp. 202-215. 20 See reproductions in ibid., no. 29, p.

182, no. 50 (also colourplate 9, p. 20), p. 199, no. 43, p. 193 (also colourplate 8, p. 20), no. 62, p. 208 (also colourplate 11, p. 22), no. 69, p. 214 (the painting has since been rediscovered and is with Didier-Aaron, New York) and no. 59, p. 206 (also colourplate 10, p. 21).