Csornay Boldizsár - Dobos Zsuzsa - Varga Ágota - Zakariás János szerk.: A Szépművészeti Múzeum közleményei 97. (Budapest, 2002)

The Year 2002

73. Giovanni Farncesco Rustici: St. Georg. Budapest, Museum of Fine Arts between Leonardo's work and the some three hundred glazed ceramic tiles loaned by the Museum of Decorative Arts. The tiles appear to be based on a sheet of geometric pattern designs by Leonardo, now in Oxford, which was previously preserved in Naples, presumably acquired from a Milanese pupil of the master. The Museum acquired the tiles in the early 20th century, subsequent to their excavation in the neighborhood of Vöröskö (today Cerveny Kamen, Slovakia), which it may have reached via Austria, by way of another Milanese-born and trained master. An article on the later utilizations of the Leonardo drawing in Austria and Hungary is being prepared by the curator of the display. J. E. Translated by A. V. TUNES IN A LANDSCAPE FLESKUM: A NORWEGIAN ARTISTS

' COLONY OCTOBER 10 - DECEMBER 1, 2002 CURATOR OF THE EXHIBITION! BRIGITTA CIFKA, INA JOHANNESEN The exhibition was dedicated to six of Norway's most prominent painters - Harriet Backer, Kitty L. Kielland, Gerhard Munthe, Eilif Petersen, Christian Skredsvig and Erik Werenskiold - and to the period around the summer of 1886, which they spent together at Fleskum farm near what is today Oslo. The Fleskum artists' colony, which only lasted for that summer, produced works of art that have remained milestones in Norwegian art history ever since. The exhibition traced the development of the six artists' mood landscapes and interiors from the early 1880s into the 1890s - the years during which they became especially important for the development of Norwegian art. This