Körmöczi Katalin szerk.: Historical Exhibition of the Hungarian National Museum 3 - From the End of the Turkish Wars to the Millennium - The history of Hungary in the 18th and 19th centuries (Budapest, 2001)

ROOM 15. Education, Science and Culture at the End of the 19th Century (Katalin Körmöczi - Eszter Aczél - Annamária T. Németh - Edit Haider)

68. Empire-style gold necklace, Master AS, Vienna, 1800-1806 was not worn with it; at most there would be a watch-chain, a ring or two and a tie-pin. At the World Exhibition held in London in 1851, a French firm won a prize with a di­amond-and-ruby brooch shaped like a bouquet of flowers, the component parts of which could be taken apart and worn separately. From this time on, the fashion for evening and special-occasion jew­ellery with diamonds and later brilliants diverged from the fashion for everyday jewellery ornamented with coloured stones of cheaper material. Historicism in Hungarian jewellery fash­ion accorded completely with the feudal­based Baroque social order characterized by the Monarchy at this time. Hungarian gala dress, which had its origins in the 17th century, became the costume worn by men and women for special occasions, and was accompanied by full sets of jewellery. In the last decades of the century, the lib­eral bourgeoisie was an enthusiastic sup­porter of the new style that was develop­ing, Secession (Fig. 70). The beauty of sil­verware and jewellery from abroad, and from Vienna, depended mainly on the de­sign and on the individuality of the pieces.

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