Technikatörténeti szemle 22. (1996)

TANULMÁNYOK - MacLeod, Roy: Modern Times and the Sciene Museum: Museum Knowledge and its Management

Literature 1 Roger Silverstone: The Medium is the Museum: Objects and Logics in Times and Spaces, in John Durant (éd.): Museums and the Public Understanding of Science (London: Science Museum, 1992), 34. 2 Theodore Anton Sande: 'Museums, Museums, Museums', Museum Management and Curatorship, 11. (1992), 185-192. 3 According to Alain Morley and Guy Le Vavasseur: Guides des 6500 Musées et Collections en France (Pais: Le Cherche Midi, 1991) and Hermann Liibebe, citing Handbuch der Museen, in Deutsches Museum Jahresbericht, 1986, 13. See also Susan Pearce: 'Preface' in Stella Butler, Science and Technology Museums (Leicester: University of Leicester, 1992). 4 Kenneth Hudson and Ann Nicholls (eds): The Directory of Museums and Living Displays (London: 3rd edition, 1985). 5 See also B. F. Finn: The Museum of Science and Technology: Historic Outline, in M. Shapiro (ed): The Museum: A Reference Guide (Westport, Conn: Greenwood Press,), ch. 6. 6 Ludmilla Jordanova: 'Objects of Knowledge: A Historical Perspective on Museums,' in P. Veigo (ed.): The New Museology (London: Reaktlon Books, 1989), 23. 7 See Nicholas Thomas: 'Licensed Curosity: Cook's Pacific Voyages,' in John Eisner and Roger Cardinal (eds): The Culture of Collecting (Melbourne: Melbourne University Press, 1994). 8 Michael Hunter: The Cabinet Institutionalised: The Royal Society's Repository and its Background,' in O. Impey and A. MacGregor (eds): The Origins of Museums: The Cabinets of Curiosities in Sixteenth and Seventeenth Century Europe (Oxford: Clarendon Press, 1985), 158-168. 9 Jordanova, op. cit. 25. 10 See Eilean Hooper-Greenhill: "The Museum in the Disciplinary Society,' Susan Pearce (ed.): Museum Sudies in Material Culture (Leicester: Leicester University Press, 1989), 61-72. 11 Alan Morton: 'Tomorrow's Yesterdays: Science Museums and the Future', in Robert Lumley (ed.), The Museum Time Machine (London: Routledge, 1988), 131, quoting the Catalogue of the Ashmolean Museum, 1836, as cited in D. Murray, Museums: Their history and Use (Glasgow, 1904), 129. 12 Lorraine Daston and Peter Galison: 'The Image of Objectivity,' Representations, 40 (1992), 80-128. 13 See E. McClung Fleming: 'Artifact Study: A Proposed Model,' in Thomas Schlereth (ed.), Material Culture Studies in America (Nashville: American Association for State and Local History, 1982), 162-173. 14 Morton, op. cit. 15 George Basalla: Museums and Technological Utopianism,' in Ian M. G. Quimby and Polly Anne Earl (eds): Technological Innovation and the Decorative Arts, Winterthur Conference Report, 1973 (Charlottesville: University of Virginia Press, 1974), 353-373. 16

Theodor W. Adorno: Valéry Proust Museum,' in Prisms (Cambridge, Mass.: MIT Press, 1981), 175. 17 Morton, op. cit. 129. 18 Basalla, op. cit. 370. 19 A formidable brief is anticipated in David Noble: Forces of Production: A Social History of Industrial Atomation (New York: Knopf, 1984). 20 Morton, op. cit. 140. 21 Jordanova divides museums into three categories: first, by the nature of their contents, the kind of person whom they is organised, or from their locality, second, by its interor organisation, and third, by their relation to individual objects, authorship, authenticity, anti-