Jakabffy Imre szerk.: Az Iparművészeti Múzeum Évkönyvei 13. (Budapest, 1971)

HOPP FERENC MÚZEUM - MUSÉE FERENC HOPP - Horváth, Tibor: Notes to the Iconography of the White-robed Kannon

Fig. 7. Kannon, nr. 6. Kencho-ji, Fig. 8. Kannon, without serial number, Kamakura, Kokuho-kan Kencho-ji, Kamakura, Kokuho-kan no. 14, Kannon is visible, silling on a rock rising above ihe waves of the sea. in dhyana sana with her hands in dhyana mudra. The striking thing about ibis painting is that the upper part ol' Kannon's robe and the. sleeves are much wider and lighter than in any of the other pictures and what is even more surprising is I hat part of the robe, visible between I he extension of ihe sleeves and flowing on lo the rocks, is not arranged in folds but depicted as a smooth surface. This obviously inusl have