Jakabffy Imre szerk.: Az Iparművészeti Múzeum Évkönyvei 13. (Budapest, 1971)

HOPP FERENC MÚZEUM - MUSÉE FERENC HOPP - Horváth, Tibor: Notes to the Iconography of the White-robed Kannon

Fig. • >. Iwato Kannon. Fig. 6. Baroju Kannon. Kencho-ji, Kamakura. Kokuho-kan Kcnclio-ji, Kamakura. Kokuho-kan a lot, but tbe rallier dark loues of the ink are the same and apart from the fine details of each picture, liiere is a «real uniformity in [lie painting' of ibe rocks, ihe plants, the waterfalls or stretches of water and in ihe stylized way of depicting the clouds. Furthermore ihe silk of ihe pictures appears lo be of the same quality, with a slightly rough and loosely woven texture. This type of silk is very rare in Japanese ink painting's. Jlisao Sugabara recalled that Myotaku (I .'108—1

.388) used a similar type