Műtárgyvédelem, 2012-2013 (Magyar Nemzeti Múzeum)

Az Iparművészeti Múzeum Damaszkuszi szobája

Műtárgyvédelem 37-38

Kovács Mravik, Petronella (2010): A little known Damascus room in the Museum of Applied Arts, Budapest. In: Conservation and the Eastern Mediterranean. Contributions to the Istanbul Congress 20-24 September 2010. Rozéik, C. - Roy, A. and Saunders, D. (eds), London, IIC. p. 281.

Malecková, K. (1999): Bojnice Castle, SMN-Museum Bojnice, p. 13.

Minorsky, V. (ford.) (1959): Calligraphers and Painter: A Treatise by Qadi Ahmad, Son of Mir Munshi (circa ah 1015/ad 1606). Freer Gallery of Art Occasional Pepers, Vol. 3. No. 2. Freer Gallery of Art, Washington DC. p. 200.

Noble, P. - van Loon, A (2005): New Insights into Rembrandt’s Susanna. Changes of format - smalt discolorration - identification of vivianite - fading of yellow and red lakes — lead white pigments. In: Art Matters Netherlands Technical Yournal in Art 2, pp. 76-98.

Purinton, N. - Watters, M. (1991): A Study of the Materials Used by Medieval Persian Painters. In: JAIC, Volume 30, Number 2, Article 2. pp. 125-144.

Radisics (1886) Az Iparművészeti Múzeum és Iparművészeti Társulat ügyei. In. Művészi Ipar, pp. 423—424.

Radisics Jenő (1898): Ideiglenes kalauz. Az Országos Magyar Iparművészeti Múzeum Gyűjteményeiben. 2. kiadás. Budapest, p. 12.

Rizzo, A. - Shibayama, N. — Kirby, D.P. (2011): A multi-analitical approach for the identification of aloe as a colorant in oil-resin varnishes. In: Analytical and Bioanalytical Chemistry 399(9): 3093-107.

Robinet L. - Spring, M. — Pages Camagna, S. (2011a): Investigation of the loss of colour in smalt on degradation in paintings using multiple spectroscopic analytical techniques. ICOM-CC 16th Triennial Conference, Lisbon, Preperints.

Robinet L. — Spring M. — Pagés-Camagna S., — Vantelon D., — Trcera N. (2011b): Investigation of the discoloration of smalt pigment in historic paintings by micro X-ray absorption spectroscopy at the Co K-edge, Analytical Chemistry, 83.5145-5152.

Robinet, L. - Spring M. — Pages- Camagna, S. (2013):Vibrational spectroscopy correlated with elemental analysis for the investigation of smalt pigment and its alteration in paintings. In: Analytical Methods, 2013,5,4628—4638.

Scharrahs, A. (2010): Insight to a sophisticated painting technique: Three Polychrome wooden interiors from Ottoman Syria in German collections and field research in Damascus. In: Conservation and the Eastern Mediterranean. IIC Contributions to the Istanbul Congress, 20-24 September 2010. Rozéik, C. - Roy, A. and Saunders, D. (eds) London: IIC. pp. 134-139.

Scharrahs, A. (2012): Zur Kunsttechnik und Erhaltungsproblematik von polychromen Vertäfelungen in Empfangsräumen syrischer Stadthäuser des 17. — 19. Jahrhunderts. Ph.D. Dissertation. Hochschule für Bildende Künste, Dresden.

Scharrahs A. (2013): Damascene Ajami Rooms: Forgotten Jewels of Interior Design. Archetype Publications, London.

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