K. Palágyi Sylvia szerk.: Balácai Közlemények 2008/10. (Veszprém, 2008)
KIRCHHOF, ANITA: The decorative system and reconstruction of the red dining room at Baláca - A balácai vörös ebédlő dekorációs rendszere és rekonstrukciója
In the Thomas-Bartha reconstruction the fragment No. 29 E. Thomas thought that this fragment decorated the lateral wall of the so-called Red-Black Room, but by now this hypothesis does not stand the proof. THOMAS 1964. XIV.; THOMAS 1964a. 100-101.; see also reconstruction: THOMAS 1964-THOMAS 1964a. XLVI., XLVII. The width of the black candelabrums and their stock of motifs in the so-called Red-Black Room are completely different from those of the candelabrums of the Red Dining Room, moreover, the rhythm of the red-black fields would have been broken by a wider candelabrum of different character. Nevertheless the main argument is the stylized column decoration can be observed in the border of the candelabrum, see: KIRCHHOF 2005. 55. In Pompeii: House of Beautiful Impluvium: LING 1991. 157. Fig. 168.; House of the Priest Amandus: LING 1991. 59. Fig. 58; House of Orchard, MIELSCH 2001. Abb. 82.; with a festoonery in the House of Vettii: LING 1991. 80., Fig. 81. On the wall-paintings of the Second Pompeian Style see BARBET 1985. 36-93. LINFERT 1972/1973. 65-76., Abb. 1. VALTER 1972. 155. Fig. 9-10.; PALÁGYI 2004. Fig. 18. The axial distance was about 15,5 cm. On the Balatonfüred stucco frieze the distance between the ribbons, as measured in the present built in form: about 27 cm, and 37 cm in th axis which could be only smaller, if the fragments would be taken out. PLESNICAR-GEC 1997. 222-231., Kat. 64-66. LING 1991. xi.; In Pompeii in the House of the Vettii: BARBET 1985.185-188., Fig. 127.; In Pompeii 1 .8., 8-9., in Pompeii: in the House of Menander: LING 1991. 72-74., Fig. 72-73. THOMAS 1964-THOMAS 1964a. XXXII. A bronze candelabrum of similar character from the 2 nd century A.D.: ISAC 2006. 85., 139., Kat. 286.; candelabrums originated from the towns buried by the Vesuvius eruption: PERN1CE 1925. 43-57. Abb. 53-74.; LINFERT 1975. 15-19., Abb. 2. In the Thomas-Bartha reconstruction the fragment No. 234. PETZ 1985. 572-579. From Pompeii: REINACH 1922. 314. 3.; also a tragic mask with all the paraphernalia of Dionysus: appeared on two mosaics of the Villa Hadriana: REINACH 1922. 318. 2., 319. 1.; representation of mask connected with theatrical performance see also REINACH 1922. 314. 4., 315. 1-4. REINACH 1922. 317-320.; ANDREAE 2003. 219-245.; tragic masks on the mosaic floor of the unswept dining room: ANDREAE 2003. 47. A stone monument decorated with tendrils and a bunch of grapes comes from Aquincum, cemetery of military town (Budapest, Distr. III. Bécsi Road 271.). Inv. No.: 2008. 2. 3. It was published only on internet: www.aquincum.hu/programok/vanujangol.pdf Selection of new archaeological finds from 2007 - Catalogue of Roman Period BINSFELD 1987. 93-94., Kat. 20., Fig. 20.; it can be determined as originated from the 2 nd century A.D.: BINSFELD 1987. 94-95. Kat. 21., Fig. 21. PÓCZY 1996. 28. T. PETRONIUSA.: Satyricon. 1. 47-50; C. PLINIUS S.: Epistulae 9. 1. PECZ 1985. 1075-1079.; SPIVEY 2005. 260-269. RHÉ 1912. Taf. I.; THOMAS 1964-THOMAS 1964a. XLL; KIRCHHOF 2001. 31.; KIRCHHOF 2004a. 363. Fig. 1. The more exact locality of the wall-painting is not mentioned in the publication: CIARALLO 2007. 6. ALLAG 1997. Fig. 4., Fig. 10.
