Bán András - Fitz Péter (szerk.): Textil - textil nélkül - Vas Megyei Múzeumok Katalógusai 61. (Szombathely, 1979)
BAJKÓ ANIKÓ ANIKÓ BAJKÓ 1947. Budapest, Magyar Iparművészeti Főiskola, 1973 1053 Budapest, Veres Pálné u. 8. TEXTILHANG 4'55” 1947. Budapest, Academy of Applied Arts, 1973 1053 Budapest, Veres Pálné u. 8. Textilesound 4’55" Don't leave the material on the tape in the same sequence as it has been recorded. When composing the tape, please put the emphasis on the material, sound and tone and not on the succession of events, The sound of velvet should be soft and silken to the touch, through the sounds of silk, plastics and canvas. Then rubbing and grinding sounds should be heard in the opposite succession than before, until the sound velvet. The swish of linen fabric gains in sound volume up to the point where it sounds like an explosion. Here the thump of cotton reel when it fell down should be heard, because a point-sound is needed very much. The sound of thread is the next. It is scraping and crackling one that softens at the end, when the screeching of plastics comes together with the sound of ripping, repturing and tearing. The sound of silk should be resounding. The resounding ripping of linen should be heard at the end of the tape. As far as I remember it is a rough and short sound. And then silence.
