Savaria – A Vas Megyei Múzeumok Értesítője 35. – (2012) (Szombathely, 2010)
RÉGÉSZET - Buócz Terézia: AGYAGKORONG A SZOMBATHELYI JÁRDÁNYI PAULOVICS ISTVÁN ROMKERTBŐL
sava Ria a Vas Megyei Múzeumok Értesítője 35 (2012) 169-185 Agyagkorong a szombathelyi Járdányi Paulovics István Romkertből mowment, but her clothing correspondent with Isis describing. On the medall Isis going leftward starts to left the harbour, letting behind her the pharous. On this bates we can complement describing of the clay disk. At our disk the palm tree signs the land and the harbour. Ovidius enmerated the „Palm Keeping Pharos" among Isis kult places in work of Amor. Isis godness favourite tree was the phoenix dactylifera, this was the oldest life-tree. Our clay disk ikonografikall a hellenistic variety. We found dinamic composition of Alexandrian Hellenism on it. The figure's legkeeping and remanied body part express that movement, filled with determined energy. The fluttering, wawing of clothes and flaming of wail failing dropping bade, the body twisted movement, that's all increase the figure's action forces her movement's patrssion. This effection can be reached with construction of equilateral triangle,which is applied at the statue composition. The position of legkeeping makes an equilabered. The figure become lighter with this triangle composition and it help the going fourwnard movement. We can observe the principle equilatered triangle's construction on her clothes' wincle. Distance between her cloth's and the ship's body decrees along advantion with this construction. It pronounces the movement's advance by this. On the Alexandrian medall the wail makes a great arched bow behind of the figure, meanwile on the Faustina iun. medall, issued in Rome there is the bow above her head. Taking into account of excavation cirkumtances and accompaning good the age of our disk dates back to the time between Domitianus and Hadrianus Ceasars. The clay disk, studied by András Alföldi instructs an other group. They date back to later time, and lead back Gallic origin. In spite of this, altar stood in Savaria, sacrificed for Isis Augusta,disk with describing of Isis did not excavated in this town. Tiberius Barbius Valentinus provincial main pristol, who was the town counchil officier as well, recommend this altar to Isis Augusta. Savaria was not military settlement, it was merchent town, center of Caesar Cult in the still undivided province. Nor the marine merchant, non the Shipping and Ploiaphesia holiday was not stranger for the aquilean Barbius Family. Suppose that, the Barbius Family has significant role in acdimasation of Isis Cult. On the altar's inscription dates back to first half second century Isis cult sacerdotes documentates in Savaria. This showes that, it should be significant number Isis beliver here. So that not a domestic chapell, but an outstanding chapell, sacrified for Isis had to stand here. Both altars were originated from distric of excavates sanctuary, dating back to tuning 2-nd and 3-nd century A.D., so that it had to be an earlier cultic place her. The earlier Isis beliver consist of the lower leveled populary, mainly libertuses, ceasarian slaves, merchants and orientalist. The clay medailion relief connects with Ploiaphesia holiday. On the Spring Holiday, on the Navigium Isidiam Holiday the Isis pristol congregation pray blessing for the Gread Powered Caesar, the Roman People, the ships and sailesmen, who salies sea in the territory of Imperium - wrote Apuleius in the middle of 2-nd century. The picture composition roots of our negative clay disk hands back to Hellenistic Greek art troughout Cesarean Alexandrian coin's pictures. On the ground of Alexandrian coins'parallel we can put the time of our negative clay disk's making between 85-140 A.D. It can be maked during Hadrianus ceaser's new Hellenistic wave time. That was the last time. 185
