Kiss Joakim Margit szerk.: Szentendrei művészet 1926–1935 között (Szentendrei Múzeumi Füzetek 2. Szentendre, 1997)

Kratochwill Mimi: Czóbel hatása a magyar (és szentendrei) művészetre 1935 előtt, a dokumentumok és visszaemlékezések alapján

RÉSUMÉ Mimi Kratochwill The Influence of Czóbel on the Art of Szentendre before 1935 The author has interpreted her task in an individual way: excluding Béla Czóbel's art from space and time she has collected all the painters whose art was affected by Czóbel still before 1935, this way she has recalled the influence exerted among the Moderns in Nagybánya, his artistic environment developed in Berlin, Würzburg and Wertheim am Main at the beginning of the 1920s and his later artistic relations with Paris or his stays at home in Nyergesújfalu, Hatvan and Szentendre before his final return to Hungary in April 1940. She has listed all the painters: János Kmetty, Rudolf Dienes Dénes, Margit Gráber, Csaba Vilmos Perlrott, Jenő Barcsay, Mária Módok and Endre Bálint, who although were conferred the painters of Szentendre on later only (some of them just after 1945, when the Colony of Artists inaugurated them among its members), their stay in Szentendre had begun much earlier, as it has already been treated in the monography by Lenke Haulisch. The paper deals with the importance of Czóbel's exhibitions before 1935, his correspondence with Ferenc Lehel and Lajos Fruchter, and his participation in the Biennial of Venice in 1934. The author's documents are of source value: e. g. a postcard from 1935 with the date "26 July 1935", on the front page with a house in Szentendre, built in 1935, with its owners: Géza Perlaki and his paintress wife, Mária Modok, as well as with Béla Czóbel (and some other artist guests under the balcony) standing on the terrace. Up to now this has been the most obvious evidence of the dating from cca. 1935, as well as that of the Szentendre origin of the painting titled Landscape by Béla Czóbel displayed at our exhibition. 79