Ihász István - Pintér János szerk.: Történeti Muzeológiai Szemle: A Magyar Múzeumi Történész Társulat Évkönyve 5. (Budapest, 2005)
II. Módszertan - Műhely - Közlemények - Szabó István: Szolnoki hadifoglyok, szolnoki hadirajzoló
LUDRIK András 1975. Visszaemlékezés. DMHA: 189-79. Jászdózsa. MALONYAY Dezső 1915. Magyar művészek a csatatéren. Mednyánszky László. Művészet. N.N. 1916. A harctér halottai. Művészet. N.N. 1918. A Képzőművészeti Társulat tavaszi kiállítása. Művészet. SZABÓ István 1987. A forradalom szemtanúi. Szolnok. SZABÓ István 1992. Valahol Oroszországban...Egy szolnoki hadifogoly első világháborús feljegyzései. Debrecen. SZABÓ István 2003. Egy pedagógus sorsa a Tiszazugban a múlt század elején. Múzeumi Levelek 78-79. Szolnok. SZÁSZ Menyhért 1917. Szirt Oszkár. Múlt és Jövő. SZIKSZAI Kálmán 1965. Visszaemlékezés. Kézirat. DM HA: 203-79. Jászapáti. ZÁDOR István é.n. Egy hadifestő emlékei 1914-1918. Bp. Szolnok Prisoners of War, Szolnok Wartime Sketchers István Szabó Hungarian museum matters not only developed into a serious network in the sixties and seventies, but thanks to regular support was able to bring about a great number of results in the form of spectacular improvement in provincial collections, new, specialised collections, swarms of village houses and reconstructed villages. All supervised by professionals, certainly as regards historical research. With the introduction in the 1950s of museological training and practice in the fields of archaeology, art history and ethnography, there was a significant leap in the number of trained museum employees. Besides this, with the 1963 compulsory engagement of„eontemporary history museologists", there was a significant increase in the number of historians. For it was at about this time that research into recent history up to the present entered the limelight. What was given the status of „contemporary history" was for the most part the collection of data pertaining to the workers' movement; yet one by-product was a mass of documents and materials which appeared before the researchers' eyes. It was behind the sparse and hardly documentable material displayed at this time in an annual train of exhibitions that a wide horizon of background material was constructed by the contemporary historians. It is this database, collected as background material, that makes the present paper possible. That is: the documentability and presentability of researched objects, photographs, memoirs recorded on tape, and purchased or acquired proof of the beginnings of the workers' movement, the one-time activities of the internationalists. Our study concentrates upon two phases; conscription into the army, and capture and moments in captive life. Beyond the formation of individual fates according to social status and qualification, perhaps it is here that we may make generalisations appreciation, judgment and survival of the events of war. It is according to these two criteria that we have selected our material. Our documentation of productive peasants, industrialists, public officials and teachers has been enriched with data related to Szolnok artists. Their colony having a history of more than a century, the role of these artists is characteristic of the town, which is why we considered a sampling of those affected by the circle important.