Szilasi Ágota, H.: Örökségünk védelme és jövője 1. A Dobó István Vármúzeumban 2014. február 7-8-án megrendezett Tudományos Konferencia tanulmánykötete - Studia Agriensia 32. (Eger, 2016)
H. Szilasi Ágota: Alexandriai Szent Katalin gótikus kőszobra az egri vár állandó kiállításában
H. SZI LAS! AGOTA Nagy Géza Balázs 2000 Az egri Szűz Mária prépstság tőrének. I. In: AGRIAXXXVI. Az Egri Múzeum Évkönyve, Dobó István Vármúzeum, Eger, 47-62. Palmer, Matthew 2002 The Statue of Saint Catherine is Alexandria and its Position in the Architectural History of Eger Cathedral. Acta Historiae Artium XLIII. Akadémiai Kiadó, Budapest, 191-205. 2007 The Figure of St. Catherine of Alexandria: A Suggestionjor a New Dating. In: AGR1A XLIII. Az Egri Múzeum Évkönyve, Dobó István Vármúzeum, Eger, 765-777. Petercsák Tivadar - H. Szilasi Ágota 2002 Az egri vár kincsei. Dobó István Vármúzeum, Eger. PÁLjózset - Újvári Edit (szerk.) 2000 Szimbólumtár. jelképek, motívumok, témák az egyetemes és magyar kultúrájából Balassi Kiadó, Budapest. Salamon Nándor é.n. Szakáll Ernő (Artportál) (http://artportal.hu/lexikon/muveszek/szakal_erno/) Sei bért, Jutta - Verlag, Herbert (szerk.) 1986 Keresztény művészet lexikona. Corvina Kiadó, Budapest. SIGISMUNDUS ... (szerk: Takács Imre) 2006 Sigisnundus rex et imperator. Művészet és kultúra Luxemburgi Zsigmond korában 1387-1437. Kiállítási katalógus. Szépművészeti Múzeum, Budapest. Sugár István 1984 Az egri püspökök története. Szent István Társulat, Budapest. Zolnay László - Marosi Ernő 1989 A budavári szoborlelet. Corvina Kiadó, Budapest. Wehli Tünde 2006 Sigismundus et imperator. Artportal http://artportal.hu/content/wehli_tuende_sigismundus_rex_et_imperator Egyéb internetes utalások [Utolsó letöltés 2015. szept. 15.] Lucsa Cranach http://mek.oszk.hu/01900/01918/html/indexl430.html http://www.katalin_nap.abbcenter.com/iPH PSESSID=8456fb85a5b87453bdf86577d30f69bl# http://www.katalin_nap.abbcenter.com/?PHPSESSID=8456fb85a5b87453bdf86577d30f69bl# http://magyar-irodalom.elte.hu/gepesk/kkor/034.htm http://www.keresztenymuzeum.hu/collections.php?mode=work&wid= 12&page=0&vt= http://www.szepmuveszeti.hu iinagC )Ournal/articleaing_ki SZHPMUVESZETI! IU. 164.kep&version-1 0 http://mek.oszk.hu/01900/01918/html/index 1430.html (http://mek.nii£hu/04600/04657/html/unnepikiiO 102/unnepikiiO 102.html) http://picasaweb.google.com/lh/photo/Omt47H_YCt YrtA8yAoW3ew ÁGOTA H. SZILASI THE GOTHIC STONE STATUE OF SAINT CATHERINE OF ALEXANDRIA IN THE PERMANENT EXHIBITION OF THE EGERCASTLE MUSEUM In October 1986 it was announced in the press that the head of the Eger Castle archaeological survey Károly Kozák had found, during the course ol the excavations going on at the point where the western castle walls meet the Dobó Bastion, fragments of a statue of a painted female saint among the rubble which had been deposited there from elsewhere. This carved representation is unique among the carved gothic finds in Eger, which are predominantly architectural elements, window frames and tracery, pier fragments and capitals, some of which are rich in ornamentation. It is for this reason that the task ot dating the statue and discovering its original location, and its original role, is far from straightforward. Nevertheless its unique nature, and its beauty has prompted several researchers to try and unlock its secrets. In 1987 the statue was first exhibited in Budapest (at the Art in the Time of King Sigismund exhibition organized by the Art Historical Research Group of the Hungarian Academy of Science), and again one year later at the temporary exhibition devoted to the excavations that had been going on at the castle in Eger (Gothic Palace). This was followed by ten years during which the stage was kept in storage. The figure ot St Catherine ot Alexandria was then to feature in the permanent display devoted to the history of the castle following its restoration by Péter Módy in 2001. Tire author’s first lecture on this particular topic took place on 2ndjune 2012 at a commemorational event entitled Eger in the Age of the Angevins organized by the Grand Prior ofthe Knightly Order ofSt George. In the intervening years the author has been able to supplement what was known at that time, and in this study she attempts to shed further light on the iconography of the statue as well as the circumstances in which it was both created and destroyed. She began to deal with the topic in 2012 at the request ot Eger’s Grand Prior of the Knightly Order of Saint George when Matthew Palmer, who had previously done research into the statue, declined to take part in the planned conference. He nevertheless permitted me to use the results ofhis findings Palmer 2002., 2007. Since then the paper has continually been expanded, and with the publications that have resulted it has been possible to put the birth of the Eger stone statue, its existence and its destruction in an ever widening context. For a list of the previously published contributions please see the bibliography. 49 T T
