Vezető a Déri Múzeum kiállításaihoz (Debrecen, 1978)

English Summary

Fig. 4. Jacob Hoefnagel: The View of the Ruined Town of Esztergom. (Copper carving, 1595) Fig. 5. Christian Rugendas: Birth in the Camp. (Mezzotinto, 1702) After the painting and drawing of Georg Phillipp Rugendas the Elder. Fig. 6. Unknown artist: Rákóczi Ferenc II As a Military Leader. (Mezzotinto, 1707) After Mányoki Ádám's drawing. Fig. 7. Karl August Schwerdgeburth

: Kölcsey Ferenc (Copper carving.) After the drawing of J. Ender and the painting of. A. Einsle. Fig. 8. Károly Brocky: Portrait of a Woman. (Pastel) Fig. 9. Mihály Zichy: Russian Archduchess. (Acquarelle. 1861) Fig. 10. Unknown Flemish artist: Military Leader on Horseback. (Oil, 17th century) Fig. 11. Jan Kupezky: Kurutz Military Leader. (Oil) Fig. 12. Ferdinand Georg Waldmüller: Still Life. (Oil, 1828) Fig. 13. Unknown artist: The Portrait of Esterházy Pál (Oil, 17th c.) Fig. 14. János Donát: Portrait of a Man. (Oil, 1816) Fig. 15. Károly Marko the Elder: Ideal Italian Landscape. (Oil) Fig. 16. Miklós Barabás: Mrs. Malta János. (Oil, 1860) Fig. 17. József Borsos: Portrait of a Man. (Oil) Fig. 18. Károly Telepy: The Shore near Almádi. (Oil) Fig. 19. Viktor Madarász: Podjebrád, King of Bohemia Introduces the Delegation of the Hungarian Noblemen to King Matthias. (Oil, 1873) Fig. 20. János Jankó: Csokonai in a Wedding Party. (Oil, 1869) Fig. 21. Károly Lotz: A Herd of Oxen alongside the river Tisza. (Oil, 1868) Fig. 22. Bertalan Székely: The Running Out of Zrínyi. (Oil, 1879) Fig. 23. Mihály Munkácsy: Ecce homo. (Oil, 1896) Fig. 24. Géza Mészöly: An Autumn Swampy Landscape. (Oil, 1872) Fig. 25. Gyula Benczúr: The End of the Carnival. (Oil, 1813) Fig. 26. László Paál: Landscape (Oil) Fig. 27. Alajos Stróbl: Déri Frigyes. (Marble) CRAFT OF TIN- AND BRONZE CASTING, GOLDSMITH'S CRAFT The craft of tin casting became impotant in Europa in XVI

—XVII century. At first the pewters followed the form of vessels made of precious metal. The special style of the pewters were discovered and formed by the renascence. At the beginning they were the decorations of the aristocratic tables but from XVII. century on they came in the civil use, too. Church pewters also remained, the nobly simple pewter was specially suitable for puritan claims of reformed church. In Baroque Age the pewters became more decorated, this time developed the different forms the tradevessels and then in the rococo appeared a new style namely the style of twisted cleft vessels. On the church — and tradevessels lived on the century old form and decorations. In classicism the uniquiet form of previous age were followed by nobly simple, smooth lines. But at the same time it was the period of decline 419