Alba Regia. Annales Musei Stephani Regis. – Alba Regia. Az István Király Múzeum Évkönyve. 10. 1969 – Szent István Király Múzeum közleményei: C sorozat (1969)

Tanulmányok – Abhandlungen - Makkay János: The Late Neolithic Tordos Group of Sign. X, 1969. p. 9–49. t. I–IV.

3: Banjica. BANJICA, Pl. XXXIII, 55. 4: Banjica. BANJICA, PI. XXXIV, 87. 5: Tordos. TZsGy PI. CXXXVI, 15. Incised on the side of a pot. 6: Banjica. BANJICA, PI. XXXII, 12. 7: Tordos. TZsGy PI. CXXXVI, 19. Incised on the side of a pot, close to the base. Here upside down. 8: Tordos. TZsGy Pl. CVIII, 6. Deep incised on the side of a pot. Vinca—Tordos В (possibly Bl) Period. 9: Hódmezővásárhely — Kökény domb, Hungary. J. BANNER, Germania 37, 1959. Fig. 2. On the both side of the neck of a jar figuring a seated woman. Tisza culture = Early Vinca —Plocnik Period. 10: Banjica. BANJICA, PI. XXXII, 28. 11 : Tordos. TZsGy PI. CXXXVI, 17 Incised on the side of a pot. Very reduced. 12: Tordos. TZsGy Pl. CXL, 1. Incised on the breast of a woman figurine. 13: Gornja Tuzla, North Bosnia, Jugoslavia. BANJICA, sign table. Probably the beginning of the Vinca — Plocnik Period. 14: Koraj, Jugoslavia. Ibid. Probably the beginning of the Vinca—Plocnik Period. 15: Vinca-Bjelo Brdo. BANJICA, the sign table. 16: Banjica. BANJICA, PI. XXXII, 6. 17: Banjica. BANJICA, PI. XXXIII, 31. 18: Banjica. BANJICA, PI. XXXIV, 75. 19: Tordos. TZsGy PI. CXI, 6. Incised on the side of a pot. Very reduced. 20: Tordos. TZsGy Pl. CXXXIV, 20. Incised on the underside of the base of a pot, together with other signs. See A22 29 ! 21 : Banjica. BANJICA, PI. XXXIV, 73. 22: Tordos. TZsGy Pl. CXLIX, 26. Incised on a clay figurine. Very reduced. Tordos, lower level, probably Vinca—Tordos Bl Period. 23 : Tordos. TZsGy PI. CXXXVI, 6. Incised on the side of a pot. 24: Tordos. TZsGy PI. CXXXVI, 10. Incised on the side of a pot. 25: Bunesti. O. TAFRALI, RA 33, 1931, 25. Together with other signs. The Cucuteni Period. 26: Bunesti. Ibid., 26. Together with other signs. 27: Bunesti. Ibid., 25. Together with other signs. 28: Bunesti. Ibid., 26. Together with other signs. A7, 1 : Tordos. TZsGy Pl. CXXXII, 6. 2: Vinca. M. VASIC, PZ 2, 1910, Fig. с 3. 1. 3: Banjica. BANJICA, PI. XXXII, 8. Originally in lying position. 4: Vinca. PV III, 93, Fig. 466. Incised on the behind of a clay woman figurine. 5: Csóka— Tűzköves (Сока —Kremenjak), Voivodina, Jugoslavia, J. BANNER, A. Arch. Hung. 12, 1960, PI. XXXIV, 21. Incised on a clay weight. The very beginning og the Tisza culture, probably Vinca — Tordos B2 Period. 6: Bunesti. O. TAFRALI,* RA 33, 1931, 25. Together with other signs. The Cucuteni Period. 7: Bunesti. O. TAFRALI, RA 33, 1931, 25. Together with other signs. The Cucuteni Period. 8: Bunesti. O. TAFRALI, RA 33, 1931, 26. Together with other signs. The Cucuteni Period. 9: Bunesti. O. TAFRALI, RA 33, 1931, 26. Together with other signs. The Cucuteni Period. A8, 1: Tordos. TZsGy PI. CXXXVI, 18. Incised on the side of a pot. 2: Tordos. TZsGy PI. CXXXVI, 19. Incised on the side of a pot. 3 : Tordos. TZsGy PI. CXXXIV, 27. Incised on the underside of the base of a pot. 4: Tordos. TZsGy Pl. CXLI, 12. Small relief on the side of a pot. Here reduced. 5: Újtikos- Tikosdomb, Hungary. VKM, PI. 22, 16a. Incised on the neck of a clay woman figurine. The Late Phase of the Alföld Linear Pottery, contemporary with the Vinca —Tordos Bl Period. 6: Tordos. TZsGy Pl. LXXXVI, 4. Incised on the underside of the base of a pot. Probably belongs to the A19group. The very end of the Vinca —Tordos B2 Period. 7: Tordos. TZsGy PL CXI, 14. Incised on the side of a pot, with an other sign. The both together see A18, 12! 8: Karatas—

Semayük, Lycia. The pithos no. 57, panel I. Incised on the side of the pithos. M. J. MELLINK, Kadmos 3, 1964, Fig. 3. Reduced. Together with other signs. Early Anatolian Bronze Age II —Ilia = Troy I and partly II. 9: Vinca. PV IV, PI. XV, 44h. A9, 1 : Vidra, Romania. D. V. ROSETTI, JPEK 1938, PI. 14, 4. Incised on the flat support of a clay figurine. Probably Gumelni^a A" Period. 2: Tordos. TZsGy PI. CXXXVI. 16. Incised on the side of a pot. Reduced. 3: Tordos. TZsGy Pl. CXXI, 21. Incised on the ear of a pot and beside. Reduced. 4: Vinca. M. VASIC, PZ 2, 1910, Fig. 16, a. 2. 5. 5a-b: Tordos. TZsGy Pl. CXV, 18. Incised on a sherd. 6: Tordos. TZsGy Pl. CXXXI, 30. Incised on the underside of the base of a pot. 7 : Tordos. TZsGy PI. CXLI, 7. Incised on the breast-part of a small clay relief on the side of a pot, figuring a man. Probably representation of a breast-dress? 8: Tordos. TZsGy PI. CXXI, 17. Incised on the ear of a pot and beside. 9: Bunesti. O. TAFRALI, RA 33, 1931, 26. Together with other signs. The Cucuteni Period. A10, 1 : Vinca. PV III, 89, Fig. 455c. Incised on the behind of a clay woman figurine. 2: Tärtäria, Transylvania. N. VLASSA, Dacia 7, 1963, Fig. 7, 2 and 8,2.; A. FALKENSTEIN, Germania 43, 1965, Fig. 1,4a, the tablet nO 2; J. MAKKAY, Orientalia 37, 1968, Tab. XLV, 4. 3 : Predionica, near Pristina, Kosovo - Metohija, Jugosavia. PREDIONICA, PI. III. Incised by the genital organ of a seated women figurine. Early Vinca — Plocnik Period. 4: Predionica, near Pristina. Ibid., Tab. LXXXIII, 5. Incised on the breast-part of a seated clay figurine, probably representation of a breast-ornament. 5: Vinca. PV III, 91, Fig. 458c. Both signs are incised on the back of a clay woman figurine, one above the other. 6: Jablanica, Jugoslavia. The signs are incised on the trunk of a clay figurine of a seated woman. UBK Fig. 1. on the page 291, top row, from the left the second figurine. Early Vinca —Plocnik Period. 7: Tsangli. PT Fig. 43. The level IV. Incised on a sherd. Late Neolithic. 8: Vinca. PV III, 93. Fig. 466c. Incised on the behind of a seated woman figurine, together with the sign A7,

4. 9: Philippopol, Thrace. UBK 319.1. Incised by the genital organ of a seated woman figurine. The Gumelnita culture. 10: Jablanica. M. VASIŐ, Archiv für Anthropologie 27, 1902, Fig. 19. Incised on the behind of a clay woman figurine. Early Vinca —Plocnik Period. 11: Tsangli. Ch. ZERVOS, L'art de la Grcèe, no. 141. Incised by the genital organ of a clay figurine of a seated woman. All, 1: Rakhmani. PT, Fig. 10. Level II. According to F. Schachermeyr, the sign represents a jewel: PF 4, PI. VII and is comparable to the signs A12, la-b.The Dimini Period. 2: Grapceva — Spilja, Jugoslavia. ORNAMENTIKA, Priloga 1, 443. The Hvar culture. 3: Byblos. M. S. F. HOOD, Antiquity 41, 1967. Fig. 15. Stamp on burial pithos. Uruk IV period? A12, la-b: Tordos. TZsGy PI. XCII, 12. On two sides of an angular pot each of the sign groups are incised. 18