Benedek Katalin: Perlrott Csaba Vilmos (1880-1955 alkotói pályájának főbb állomásai (Békéscsaba, 2005)

the time when the Notre Dame became one of his major themes he depicted several times. He was painting the cathedral and the gently flowing river Seine from the window of his hotel. From 1924 he became decisive member and permanent exhibitor-partaker of KUT (a pun, abridged from the Hungarian „New Society of Creative Artists", meaning „fresh-water well" at the same time) that followed progressive and Western European artistic trends. The Society organized exhibitions every year until 1943, mostly in the Salon National of Hungary. From around the 1930's Perlrott found inspiration in nature again. From this time on, he frequently visited Szentendre. This period of natureattachment in his art - that can be measured in decades - came to an end only when he died. His pictures were dominated by nature, his vibrant brush-handling technique finds inspiration from the ever changing foliage of the trees of the small streets of this picturesque town. His pictures were dominated by nature, his vibrant brush-handling technique found inspiration from the ever changing foliage of the trees of the small streets of this picturesque town. In 1949, he was admitted into the Painters Society of Szentendre, and he was working as a member of the Old Art Settlement (Farm) of Szentendre until his death in 1959. His works can be found in significant public collections in Budapest and in the country, and in highly regarded Hungarian and foreign private collections. The reproductions of this book are coming from Hungarian public collections (mostly from the Munkácsy Mihály Múzeum of Békéscsaba). 109