Heves megyei aprónyomtatványok 8/I

At the reproduction and enlargement of the latter photo sequence a merely vi­sual "superstructure" appears. The pic­torial information changing by the deg­ree of enlargement, however, in ATTALAI's par excellence "photo-like" sequence became the function not of time but distance. If not visible, the action on the photographer can be de­duced from it: his purposeful backing away between each shot. To HAJAS's "Test Run" we similarly associate the picture of the two-year-old boy clutch­ing a camera. The artist thoughtfully acting behind the camera, or even appear­ing on the completed picture, visible in his action — see SZIRÁNYI, with the wire release in his mouth — is a proof and example for those who consider photography a medium, a medium of social activity. László Beke

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