Az Eszterházy Károly Tanárképző Főiskola Tudományos Közleményei. 2001. [Vol. 7.] Eger Journal of American Studies.(Acta Academiae Paedagogicae Agriensis : Nova series ; Tom. 27)
Studies - Lenke Németh: David Mamet's Women Characters: Conceptions and Misconceptions
the contrary, in some underlying terms, the affirmation of traditional values and a need for connection evolve in it. The presence of a carnival ized world with its radical transformations and uprooted patterns as described by Mamet posits the existence of another world, where values based on morality and humanity prevail. WORKS CITED Austin, Gayle. Feminist Theories for Dramatic Criticism. Ann Arbor: U of Michigan P, 1990. Bakhtin, Mikhail. Problems of Dostoevsky's Poetics. Ed. and trans. Caryl Emerson. Minneapolis: U of Minnesota P, 1984. Beauvoir, de Simone. Selection from The Second Sex. Gender: Key Concepts in Critical Theory. Ed. Carol Gould. New Jersey: Humanities P, 1997. 3-15. Carton, Evan and Gerald Graff. "Criticism since 1940." The Cambridge History of American Literature. 8 vols. Gen. ed Savran Bercovitch. Cambridge: Cambridge UP, 1996. Jacobs, Dorothy H. "Levene's Daughter: Positioning the Female in Glengarry Glen Ross ." David Mamet's Glengarry Glen Ross: Text and Performance. Ed. Leslie Kane, New York: Garland, 1996. 107-122. Lahr, John. "Profile: Fortress Mamet." New Yorker 73.35 (1997): 7082. Mamet, David. Sexual Perversity in Chicago and The Duck Variations. New York: Weidenfeld, 1974. Millett, Kate. Sexual Politics. Garden City, NY: Doubley and Co., 1970. Moi, Toril. Sexual/Textual Politics: Feminist Literary Theory. London: Routledge, 1991. Mufson, Daniel. "The Critical Eye: Sexual Perversity in Viragos." Theater 24.1 (1993): 111-13. Nuwer, Hank. "Two Gentlemen of Chicago: David Mamet and Stuart Gordon." South Carolina Review Spring 1985: 9-20. Radavich, David. "Man Among Men: David Mamet's Homosocial Order." Fictions of Masculinity: Crossing Cultures, Crossing Sexualities. Ed. Peter F. Murphy. New York: New York UP, 1994. 123-36. 45
