ARHIVSKI VJESNIK 32. (ZAGREB, 1989.)

Strana - 68

Ljubinka Karpowicz, Kritika fašizma u djelu Dragovana Šepića. Arhivski vjesnik, 32/1989. sv. 33, str. 61—68: Svoju »tribinu« u »Istri« dobili su i drugi talijanski antifašisti u Parizu — Filippo Turati,

23 Pietro Roselli

24 i Claudio Treves.

25 Uloga posrednika Dragovana Šepića bila je u tom trenutku za antifašistički pokret Evrope nezamjenjiva. Interes za talijanski antifašizam ostao je kod profesora Šepića trajan, sudeći prema objavljenim prikazima knjiga,

26 ali ga je nteres znanstvenika vodio ka novim temama o kojima je rečeno u izvještaju pisanom u povodu izbora profesora Dragovana Šepića za redovitog člana Jugoslavenske akademije znanosti i umjetnosti. ' . . Summary THE CRITICISM OF FASCISM IN THE WORKS OF DRAGOVAN ŠEPIĆ The works of Dragovan Šepić concerning fascism are dated in the times between 1931. and 1935., at the times of this studies in Paris where he came to meet Italian and other antifascists, šepić's criticism of fascism originates from the point of view of international law as the measure of humanism. Fascism for Šepić is the negation of human rights (he gives us an example the Julian Alps region — Istria and the Slovenian Coastal region). He then goes on to criticies fascism in the field of ideology. The understanding of Italian fascism he connects to the Italian irredenta, The author here points out the fruitful contacts Šepić had with Italian antifascists and considers thé rôle of young Šepić as irreplacable Within the European antifascist movement. 23 Filippo Turati, Istra, 29, 22. IX/1932. 24 Pietro Roselli, Istra, 37, 8. IX./1932. 25 Claudio Treves, Istra, 30, 29. VII/1932. 26 V. bilj. 1. 68