Dénesi Tamás (szerk.): Collectanea Sancti Martini - A Pannonhalmi Főapátság Gyűjteményeinek Értesítője 9. (Pannonhalma, 2021)
III. Forrás
168 Perger Gyula: Ismeretlen kronosztikon... PRT VI. A = Sörös Pongrácz (1916), A Pannonhalmi Főapátság története. Hatodik korszak (1802-től napjainkig), Budapest. Révai Miklós (1802), Sacer mons Pannonius, Francisci secundi, caesaris augusti, ac regis apostolici, pieteate postliminio solenniter restitutus, die XXV. mensis aprilis, anni MDCCCII, Viennae. Szádoczki Vera (2018), Vallásra nevel és a jezsuita poétikaoktatásban, i n Lelkiség és oktatás a régi Magyarországon, szerk. Bajáki Rita – Báthory Orsolya, Budapest (MTA-PPKE Barokk Irodalom és Lelkiség Kutatócsoport), 199–206. Vaderna Gábor (2016), Menyegző a rendi költészetben a 19. század elején. Alexandra Pavlovna és József nádor, gróf Rhédey Lajos és Patay Zsuzsanna esküvőjének költészeti reprezentációja, Századok , 150/3, 731–770. Villányi Szaniszló (1872), Győr -vár és város helyrajza, erődítése, háztelek- és lakossági viszonyai a XVI. és XVII. században, Győr. Gyula Perger An unknown chronosticon about the restoration of the Benedictine Order Many printed papers were published in connection with the solemn restoration of the Order of Saint Benedict of Pannonhalma on 25 April 1802. In addition to the Hungarian oration delivered by Lipót Somogyi after the solemn mass, the Latin poems of felicitation by Miklós Révai and György Bellai were put in print too. A hitherto unknown piece of the event’s literary representation came to light in the collection of the Diocesan Library in Győr. Antal Sömberger – who was noted only because of a single work of his so far – commemorated the event with a Latin chronosticon. His manuscript intended for print got to József Calavino, a canon and librarian in Pozsony, who had it bound together with many other prints and manuscripts in a composite volume. After the death of Calavino, whose bequest of books was purchased by Sándor Balogh, a canon in Győr, this volume got to the library of the seminary in Győr at the end of the 19th century. Sömberger’s chronosticon is composed as a song praising the temporal and spiritual dignitaries, who played a role in restoring the Order. His accomplishment portrays a learned author of moderate abilities. Perhaps it was why the work was not – or was not allowed to be – printed. At the same time, it is a good example of the intention of literary representation, which – in the case of the Benedictine Order – became consummate in the last third of the 19th century.
