Prékopa Ágnes (szerk.): Ars Decorativa 29. (Budapest, 2013)

The Museum of Applied Arts in 2011-12

5. Art and Design for All - The Victoria and Albert Museum Islamic objects, to the current V&A con­temporary design collection. Altogether the exhibition gave a picture not only of a museum which has supplied a model to all those applied art museums founded with a similar intention in mind, but of the first state-of-the-art museum to serve the needs of society as a whole, and whose innovative solutions were subsequently taken over by museums with altogether different pro­files. The exhibition featured circa 350 ob­jects, most of which came from the Victoria & Albert Museum. These were supple­mented by artefacts borrowed from other English collections, as well as from Ger­many (Berlin, Kunstgewerbemuseum). The Museum of Applied Arts Budapest also contributed a dozen exhibits. The exhibi­tion catalogue was published in both Eng­lish and German, with the cooperation of the V&A and the German Prestel Verlag. A Hungarian version was also published for the Budapest exhibition. At a time when the Museum of Applied Arts was on the threshold of a major reno­vation the exhibition allowed us to take the London museum, the first of the applied art museums, as a reference point and to con­sider not only the Budapest museum’s mis­sion but to reconsider its original function as well. With the benefit of the Museum of Applied Arts’ permanent display on the history of the collection (Collectors and Treasures), the Victoria & Albert Museum exhibition gave us an opportunity to con­sider the common origins and the parallel development of the two institutions. The patron of the Budapest exhibition was His Royal Highness the Prince of Wales. The official opening address was made by Zoltán Balog, Minister of Human Resourc­es, and Jonathan Knott, the Ambassador of the United Kingdom to Hungary. 112

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