Szilágyi András (szerk.): Ars Decorativa 14. (Budapest, 1994)

FAJCSÁK Györgyi: Luo-han-festmények a Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum kínai gyűjteményéből

S. Little: The Demon Queller and The Art of Qiu Ying. In.: Artibus Asiae, vol. XLVI, 1/2. 1985. Pis. 24., 25., 26., 27.. 30., 31 28. See Tohaku (1539-1610): Sixteen Arhats. Pair of sixfold screens painted in colours on paper. Coll. Chishaku-in, Kyoto. In.: Illustrated Catalogue of Ses­shu. Tokyo National Museum, Tokyo, Japan, 1956. pi. 58 29. Lang Mei: Lady and her Attendants in the Garden. Hanging scroll, first half of the eighteenth century. In.: Hyland: Deities, Emperors...pi. 31 30. Colour albunvleaf from the Collection of the British Library: Luo-han with Flywhisk. In.: Bancroft: Zen. Front cover 31. Scenes from the handscroll painted by Wu Bin: The Five Hundred Arhats. In: Eight Dynasties...pi. 205 32. Compare with the tenth and ninth luo-han fig­ures of the San-cai-tu-hui. Vol. I. p. 766/a. and p. 765/b 33. In.: Eight Dynasties...pi. 92; a sixteenth century paraphrase of the picture can be found in the Freer Gallery. In.: T. Lawton: Chinese Figure Painting. Freer Gallery of Art. Washington, 1973. pi. 39 34. In.: Eight Dynasties...pi. 165 35. ibid. pi. 166 36. Compare with the sixteenth luo-han of the San­cai-tu-hui. vol. 1. p. 769/b 37. Compare with a scene of Ladies Preparing Newly­woven Silk. Section of a handscroll painted by Zhang Xuan (eighth century). Elegant ladies are ironing the newly-woven silk using a charcoal ironing machine. Emperor Hui-zong made a copy of this in the twelfth century. Ink and colours on silk. Museum of Fine Arts, Boston. In.: Cahill: Chinese Painting. Rizzoli Interna­tional Publications, Inc., New York, 1985. pi. 21. 38. Compare with the sewing luo-han figure of the handscroll attributed lo Ding Yun-peng. Ferenc Hopp Museum of Eastern Asiatic Arts, Budapest, (see illust­ration no. 1.) 39. See Jin Ting-biao (fl. in the imperial court about 1757-1767): Miniature Album of Figure Paintings. Eighth picture: Old mond with two attendant. In.: Chou­Brown: The Elegant Brush, pi. 12. Cf., Chen Hong­shou: Meeting of Shu Wu and Li Ling. In.: Hyland: Deities, Emperors...pi. 25 40. Cf., Lang Shi-ning (Giuseppe Castiglione): Kazaks Presenting Horses in Tribute. 1757. In.: Siren: Chinese Art Vol. VII. p. 372 4L Yao Wen-han: Drink Sellers. Handscroll. Na­tional Palace Museum, Taipei. In.: Chou-Brown: The Elegant Brush, p. 329. pi. 18 42. See Unknown Artist: Bu-dai with Children. Second half of the fifteenth century. Museum of Fine Arts, Boston. In.: Hyland: Deities, Emperors...pi. 3 43. cf., Ding Yun-peng: Five Forms of Guan-yin. Handscroll. In.: Eight Dynasties...pi. 202 44. Compare it to a female depiction of Manjusri, Ding Guan-peng: Manjusri. Hanging scroll. National Palace Museum, Taipei. In.: Chou-Brown: The Elegant Brush, p. 328. pi. 16 45. J. Cahill: The Compelling Image. Nature and Style in Seventeenth-Century Chinese Painting, (later Cahill: The Compelling) Harvard University Press, Cambridge, Massachusetts, 1982. p. 93., p. 105 46. Tai Chin (1388-1462): Bodhidharma is Medi­tating in a Cave. In.: J. Cahill: Parting at the Shore. New York, Weatherhill, Tokyo, 1978. pp. 48^49., pi. 10 T. Sesshu (1420-1506): Hui-ke cuts off his arm. Coll. Sainen-ji, Aichi. In.: Illustrated Catalogue of Sesshu. Tokyo National Museum, Tokyo, Japan, 1956. pi. 12 47. Two Bodhisattvas - Ksitigarbha and Samanta­bhadra - of the four popular and in China high appre­ciated Bodhisattva were not depicted in the album. Their cults slightly lost importance in the Qing period. However, Bodhidharma appeared on on* leaf of the album. 48. Cahill: The Compelling p. 126 LIST OF ILLUSTRATIONS I. Unknown Artist: The Eighteen Luo-hans Crossing the Sea attributed lo Ding Yun-peng (1547- c. 1621). Handscroll, monochrom ink on silk. End of the 17th century 39.5 cm x 195 cm. II. Unknown Artist (belonged to the circle of the Court Painting Academy of the Qian-long Period - 1735­1795): Luo-hans. Sixteen-leaf album. Silk mounted on paper, ink and colours. Middle of the 18th century 34/35 cm x 29 cm. 1. Luo-han with the palace symbolized Nirvana 2. Luo-han with a white elephant 3. Luo-han with a tiger 4. Luo-han with the Dragon King 6. Seated luo-han surrounded by rocks 7. Luo-han opened his chest 8. Luo-han with the tools of writing 9. Luo-han takes pleasure in the sight of chrysan­themums 11. Sewing luo-han 12. Audience 13. Bu-dai (Mi-lo-fo) 14. Bodhisattva Guan-yin 15. Bodhisattva Manjusri 16. Bodhidharma and his later disciple, Hui-ke

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