Szilágyi András (szerk.): Ars Decorativa 14. (Budapest, 1994)

FAJCSÁK Györgyi: Luo-han-festmények a Hopp Ferenc Kelet-Ázsiai Művészeti Múzeum kínai gyűjteményéből

NOTES 1. Wen Fong: Lohans and Bridge to Heaven. Occasional Papers. Freer Gallery of An, Washington, 1958. 2. The total length of the scroll is 538 cm. The first 43.5 cm long section is made of blue brocade; the second 21.5 cm long section is made of white brocade; 92 cm long, empty brownish paper for inscriptions. It is followed by the 195 cm long, twenty-figure ink painting framed with 12 cm-long white brocade at the beginning and at the end of it. The last section is made of 162 cm long paper. One section of the scroll has been published in.: Pál Miklós: Chinese Art. Catalogue. Museum of Applied Arts, Budapest, 1987. p. 46 3. For comparison with the hand depictions as well as with the shape of the incense burner with handle, see some paintings from Dunhuang (Stein Collection, ninthtenth centuries). In.: R. Whitfield-A. Fairer: Caves of the Thousand Buddhas, (later Whitficld-Farrer: Thousand Buddhas) Chinese Art from the Silk Route. British Museum, London, 1990. pis. 14, 15, 16 4. cf., Wu Bin: The Five Hundred Ar hats. Handscroll. In.: Eight Dynasties of Chinese Painting (later Eight Dynasties...): The Collection of the Nelson-Atkins Museum, Kansas City and the Cleveland Museum of Art. The Cleveland Museum of Art, Cleveland, 1980. pi. 205 5. cf.. Outstanding among numerous originals and parallel works is: Shi-ke: Chan Monk Meditating (c. tenth century). National Museum, Tokyo. In.: A. Bancroft: Zen (later Bancroft: Zen) Direct pointing in reality. Thames and Hudson, London, 1979. p. 89 6. Similar scene, with a palace in the cloud, cf., Bancroft: Zen. p. 60. - A tenth-century painting from the Dunhuang Collection. In.: Whitfield - Farrer: Thousand Buddhas, pl. 14 7. cf., Bancroft: Zen. p. 61 8. cf., Ding Yun-peng: Five Forms of Guan-yin. Handscroll. Wu Bin: The Five Hundred Arhats. Handscroll. In.: Eight Dynasties... pis. 202., and 205 9. For the dragon paintings see Zhang Ruo-ai (17131746): Miniature Handscroll After Nine Dragons by Chen Rong. In.: J. H. Chou-C. Brown: The Elegant Brush, (later Chou-Brown: The Elegant Brush) Chinese Painting Under the Qianlong Emperor (17351795). Phoenix Art Museum. 1985. pp. 73-74 10. See in.: A. R. M. Hyland: Deities, Emperors, Ladies and Literati, (later Hyland: Deities, Emperors...) Figure Painting of the Ming and Qing Dynasties. Birmingham Museum of Art. Birmingham, Alabama, 1987. pi. 28 11. ibid. pi. 22 12. Some of the published paintings of Ding Yunpeng: Five Forms of Guan-yin. Handscroll. In.: Eight Dynasties... pi. 202 Washing of the Elephant. Hanging scroll, 1604. In.: Hyland: Deities, Emperors... color plate VII. Luo-han. Hanging scroll, 1591. In.: Arts of Asia. Special Singapore Issue. Nov-Dec. 1993. p. 19. 13. cf., S. J. Oertling: Ting Yun-p'eng: A Chinese Artist of the Late Ming Dynasty, (later Oertling: Ting Yun-p'eng (unpublished Ph. D. dissertation) University of Michigan, 1990. 14. For comparison of the composition see brushholders with carved luo-han images. Ivory, nineteenth century. In.: V. Reynolds-Y. F. Rei: Chinese Art from Newark Museum. China House Gallery. China Institute in America. New York, 1980. pp. 70-71 Among Japanese depictions of the sixteen luo-hans see Tohaku (1539-1610): Sixteen Arhats. Pair of sixfold screens, painted in colours on paper. Collection Chishaku-in, Kyoto. In.: Illustrated Catalogue of Sesshu. Tokyo National Museum, Tokyo, Japan, 1956. pi. 58 15. cf., Lang Mei: Lady and her Attendants in the Garden. Hanging scroll, first half of the eighteenth century. In.: Hyland: Deities. Emperors... pi. 31 16. To the palace symbolized nirvana see Whitfield-Farrer: Thousand Buddhas, pl. 14 17. cf.. ibid. pl. 14 18. In.: Bancroft: Zen. p. 60 19. San-cai-tu-hui. (later San-cai-tu-hui) Ed.: Wang Qi and Wang Xi-yi. Shanghai gu-ji chu-ban-she, Shanghai, 1985. vol. I. p. 754/b 20. Ding Yun-peng: Washing of the Elephant, 1604. Private Collection In.: Hyland:Deities, Emperors... color plate VII. Ding Guan-peng: Washing of the Elephant. Palace Museum, Peking. In.: Chou-Brown: The Elegant Brush. p. 349. pi. 28 Cui Zi-zhong: Washing of the Elephant. In.: O. Siren: Chinese Painting: Leading Masters an Principles. (later Siren: Chinese Painting) New York. vol. VI. pi. 313 21. Oertling: Ting Yun-p'eng. p. 227 22. cf., Wu Bin: The Five Hundred Arhats. Handscroll. In.: Eight Dynasties... pi. 205 and front cover 23. cf., Bodhisattva Manjusri. Gilt bronze, Ming Dynasty. In.: Fine Chinese and Korean Ceramics and Works of Art. Sotheby's Auction. London 10th Dec. 1991. pi. 36 24. In.: Hyland: Deities, Emperors... pi. 18 25. Fifth scene of the scroll entitled Five Forms of Guan-yin where the dragon king and his attendant bow before Guan-yin and her "throne" is raised high by demon figures. Handscroll. In.: Eight Dynasties..pi. 202 Compare with the seventh luo-han figure of the Sancai-tu-hui who hands a flaming pearl to the dragon just emerged from the sea. Vol. I. p. 764/b 26. Compare with the twelfth luo-han fiugre of the San-cai-tu-hui. vol. I. p. 767/a 27. Compare it to demon figures painted by Gong Kai, Yan Hui, Dai Jin and others.