Vadas József (szerk.): Ars Decorativa 12. (Budapest, 1992)
BIRÓNÉ SELY Katalin: Érmés tálka a fraknói Esterházy-kincstárból
NOTES 1. "Magyarországi reneszánsz és barokk" (Hungarian Renaissance and Baroque). In. Művészettörténeti tanulmányok. Bd. Galavics, Géza. Budapest, 1975. — Héjjné Détári, Angéla: A fraknói Estcrházy-kincstár a történeti források tükrében (The Fraknó Esterházy Treasury as Depicted in Historical Sources) p. 473. Esterházy register, 1923. Museum of Applied Arts, Budapest (hereafter referred to as E.r.). 2. Heyne, see above, p. 498 and Note 126. 3. I have made a catalogue of the coins fitted into the side of the bowl, as well as of their definitions. The scheme in Figure 1 shows the position of the coins. The numbering will help to identify the coins in the catalogue. I would like to thank Annamária Németh and András Szilágyi for their help in describing and evaluating the bowl. 4. For the abbreviation BMC, cf. the bibliography of the catalogue. 5. For the abbreviation Cohen (Coh.), cf. the bibliography of the catalogue. 6. I Iabich, Georg: Die deutschen Schaumünzen des XVI. Jahrhunderts, vol 1. München, 1929; vol 2. München, 1934. Huszár, Lajos—Procopius, Béla: Medaillen und Plakettenkunst in Ungarn. Budapest 1932. Katz, Victor: Die erzgebirgische Prägemedaille des XVI. Jahrhunderts. Prag, 1932. 7. I would like to thank Vera Héri for her help in defining and evaluating the Christ médaillon. 8. Biróné Sey, Katalin— T. Németh, Annamária: "Pogány pénzes" edények. (Dishes Incorporating •Tagan'Monev") Budapest, 1990. pp. 9—12, 35— 37, 73—75. 9. 'ITie name "Paduan coins" is used for copies of Roman coins or fictitious coins modelled on antique coin, made by Cavino, a Paduan artist in the early sixteenth century. His activity is summed up in: I^awrcnce, Richard Hoe: Medals by Giovanni Cavino the "Paduan". New York, 1883, and in a more recent study by Klawans, II. Zander: Imitations and Inventions of Roman Coins. Renaissance Medals of Julius Caesar and the Roman Empire. California, 1977. 10. Kris, Emst: Goldschniedearbeiten des Mittelalters der Renaissance und des Barock. Arbeiten in Gold und Solber. Wien, 1932 — a tctradrachm of Alexander the Great is placed in the middle of the bowl. 11. Kris, see above: the middle of the second bowl is decorated with a cast copy of a Thasos tctradrachm. 12. Dresden, Staatliche Kunstsammlungen, Grünes Gewölbe, Inv. No. IV/40 — Genthon, István: "Egy budai humanista aranycsészéje" (A Golden Cup That Belonged to a Buda Humanist). In. Tanulmányok Budapest múltjából (Studies of Budapest's Past, Vol. IB. 1934, pp. 141—144; Matthias Coninus und die Renaissance in Ungarn, 1458—1 541. Schallaburg '82 — 8 Mai— 1 November 1982, pp. 350—351. 13. Nagy, Iván: Magyarország családi czimerekkel és nemzedék)endi táblákkal (Family Coats-ofarms and Family Trees in Hungary). Pest 1858, C—Gy, pp. 80-^81.
