Vadas József (szerk.): Ars Decorativa 12. (Budapest, 1992)

FAJCSÁK Györgyi: Kínai sztúpa díszítése az i. sz. 7. századból

the number of these tiles as a total of 3442 pieces. See Z/tongguo gudai shi diao yishu, compiled by A. F. Howard and He Ping-nan. Taipei, 1983, p. 144. 16 A. Soper and L. Sickman: Art and Architecture of China, Penguin Books Ltd. 1971 (first integrated edition), p. 392. 17 ibid. p. 405. 18 Roderick Whitfield: Esoteric Buddhist Elements in the Famensi Reliquary Deposit, Asiatische Studies 199012 pp. 247-266. Fig. 8. and see Su Bai et al., Famensi ta digong chutu wenwu bitan (Exchange of letters on the cultural relies excavated from the underground treasury of the Famensi pagoda) Wenwu 1988/10 pp. 29-43. 19 Detail of a lobed-framed diamond pattern from Kizil (sixth century A.D.) After A. von Le Coq: Bilderatlas zur Kunst und Kulturgeschichte Mittel-Asiens, Berlin, 1925. Fig. 246. Ziiongguo meishu guan ji, huihua bian (The Great Treasury of Chinese Fine Arts, Painting) Vol. 16: Xinjiang shi ku (Xinjiang Cave-temples), Shanghai Peoples' Fine Arts Publishing House 1990. Introduction p. 9. 20 ibid. PI. 147. 21 Dunhuang Cave 427. lozenge-shaped decoration filled with lions and phoenixes joined by flowers (Sui dynasty) Chugoku Sekkutsu, Tonko MakkokuLsu, Chinese Cave-temples, Dunhuang Mo gao ku . Kodansha, Tokyo 1980-85. Vol. 2. (Japanese) p. 106. Fig. 19. 22 Frieze motifs from Longmen Cave-temples, Guyang Cave (end of the seventh century A.D.) A. Soper and L. Sickman: Art and Architecture of China, 1971. p. 98. 23 Burial model of curb of well (Han dynasty) Sato Masahiko. Kan. Roku-chono dogu, Toki-zcnshu Vol. 9. (Library on East Asiatic Ceramics) Tokyo, Heibonsha, 1958. P1.40. Fragments of Chinese textile, W. Willetts: Foundations of Chinese Art, London. Thames and Hudson, 1965. p. 145. Fig. 22.a-b. 24 see Susan Bush: Thunder Monsters, Auspicious Animals, and Floral Ornament in Early Sixthcentury China, Ars Orientalis X. (1975) pp. 19-34. 25 T. Nagahiro: Rikuclio jidai bijutsu no kenkyu (The Representational Art of the Six Dynasties) Japanese with English summary, Tokyo. 1969. Wang Zhong-shu: Han Civilization, New Haven: Yale University Press, 1982. Fig. 263. Shi, Hsio-yen: "Inan and Related Tombs" Artibus Asiae XXIJI. (1959) pp. 277-312. 26 S. Mizuno-T. Nagahiro: Tfie Buddhist Cavetemples of Hsiang-t'ang-ssu, (Japanese) Kyoto, 1937. Pis. lvii.a.; lviii.c-d; Some pieces from this site are in western collections such as the Royal Ontario Museum, Toronto (Henry Trubner Far Eastern Collection. Royal Ontario Museum 1968. PI. 46.); Museum Rietberg, Zurich (O. Siren: Chinesische Skulpturen ibid. p. 101. Pl. 30.). 27 Rectangular limestone tiles with dragons and monster head decoration, dated 605-616, The Great Stone Bridge in Zhao-zhou, Hebei Province (Hebei Zhao-zhou jiao Wenwu guanlisuo cang) Zhongguo meishu quan ji, Diaosu bian Vol. 4. (The Great Treasury of Chinese Fine Arts, Sculpture), Shanghai Peoples' Fine Arts Publishing House 1987. 28 Demon figures carving on pillar, Tomb of Xiao Jing, first half of the sixth century A.D.; Ann Paludan: The Chinese Spirit Road, Yale University Press, New Haven and London 1991. PI. 84. p. 74.