Vadas József (szerk.): Ars Decorativa 12. (Budapest, 1992)
PRÉKOPA Ágnes: Tarján (Huber) Oszkár szecessziós ékszerei
NOTES 1 In the beginning of his career, that is, between 1902 and 1903, he was mentioned as I Iuber-Tarján; from 1904 on he used only the Tarján name. On the basis of contemporary literature, the present study uses all of the specified names of Oszkár Tarján dlubcr). For his detailed biography sec Koos, J.: "Some Hungarian Masters of the Goldsmith's Art of the Art Nouveau". In: AD, 3/1975. pp. 114-147. 2 MI, (Magyar iparművészet) 1897/98. p. 37. 3 Dincr-Dénes, .T.: "Az Iparművészeti Társulat karácsonyi kiállítása" (The Christinas Exhibition of the Decorative Arts Association). MI, 1901. p. 16. 4 MI, 1901; the picture on p. 72. 5 Divald, K.: "A szegedi kiállítás" CThc Szeged Exhibition). MI, 1901. pp. 213-214 and the pictures on pp. 216-217. 6 Muszka,.!.: Magyar ornamentika (Hungarian Ornaments). Budapest, 1898. 7 MI, 1901; the picture on p. 275. Also MI, 1902; the picture on p. 101. 8 MI, 1903. p. 153. 9 MI, 1902. p. 167. 10 For the Hungarian translation of the certificate, sec MI, 1903. p. 298. 11 Almási Balogh, L.: "A karácsonyi kiállítás" (The Christmas Exhibition). MI, 1903. p. 27. 12 Éber, L.; "A karácsonyi kiállítás" (The Christmas Exhibition). MI, 1905. p. 13. 13 MI, 1905. p. 28. 14 Art et Décoration. T.VIII., juillet-décembre 1900. A separate supplement for the exhibited pieces, bound together with the appendix of the October issue. 15 Vcvcr, H.: "Les bijoux aux Salons dc 1898". In: Art et Décoration, T.III., janvier-juin 1898. pp. 169-178. 16 Vever, see above, p. 172 and the picture on p. 169. 17 Vcvcr, see above, p. 172 and the picture on p. 170. 18 Györgyi, K.: "Az iparművészet a párizsi világkiállításon" (The Applied Arts at the Paris International Exhibition). MI, 1900. p. 232. 19 Modem Design in Jewellery and Fans. Ed. by Ch. Holme. The Studio, Special Winter Nr. 1901-1902, PI. 29, Pict. 1. 20 Canz, S.: Symbolistische Bildvorstellungen im Jicvelieischniick um 19(X). Dissertation, 1974. Munich, 1976. pp. 129-138. 21 This process was probably influenced, for example, by the article of Th. Duret: "Les Peignes". In: Le Japon artistique, red. par S. Bing. Tile année, T.5. No. 26, pp. 17-24.
